When asked what motivates her to make music, Johanna Warren responds immediately: “Music is vibration; it's a direct way to affect matter. A song is a way to journey into places of discord and then resolve back into harmony.” The nomadic songwriter/multi-instrumentalist constructs complex, gossamer folk compositions that draw from the richness of the human experience and her own unique flavor of mysticism. Her 2015 sophomore album, nūmūn, found its way on to several notable year end lists and led Rolling Stone Magazine to name her a "Songwriter You Need to Know."
In 2016, Warren released Gemini I, the first of a pair of conceptually connected albums written and recorded in the throes of a rocky romantic relationship with another artist. “All the songs on both records are about a complicated three-year relationship with a Gemini man,” she says. “It was very much a 'twin flame' situation. We were working with bright light and intense shadow.” As a way to process this emotional chaos, Warren began to write in earnest as a form of self-therapy. Eschewing the more abstract lyricism of her earlier work, she began to create a suite of confessional songs about the blessing and the curse of romantic love.
The albums that resulted, Gemini I and Gemini II, are moody, bewitching records packed with layers of occult symbolism and personal mythology. Every song on Gemini I has a corresponding “twin” on II, linked by melodic motifs, lyrical content or production choices. Rather than the DIY recording setups that Warren and engineer/producer Bella Blasko had used previously, the Geminis were tracked at Dreamland studios in upstate New York. There, equipped with a sudden wealth of instruments and more sophisticated technology, Warren who arranges and plays nearly everything on her records, felt free to explore. This spirit of experimentation is evident on the records. The songs retain the hushed warmth of previous releases Fates and nūmūn, while expanding Warren’s sonic landscape in all directions. In celebration of her upcoming album Chaotic Good, out May 1st, Warren has partnered with Carpark and Wax Nine Records to reissue deluxe editions of Gemini I and II, including bonus tracks “The Garden” and “Maya” along with instrumental versions of the studio album.
released February 11, 2020
All songs by Johanna Warren
Recorded and mixed by Bella Blasko
Co-produced by Bella Blasko & Johanna Warren
Mastered by Sarah Register
Johanna Warren - Vocals, guitars, bass, percussion, flute, harmonium, mellotron, vibes, synths
Bella Blasko - Vocals, piano, organ, mellotron, synths
Jim Bertini - Drums & percussion on Track 6 and 9
Eli Walker - Bass on Track 6
Chris St. Hilaire - Percussion on Track 9
Jane Scarpantoni - Cello on Track 9
Additional tracking by Jim Bertini and Eli Walker at Galaxy Smith in NYC
Album photos by Gretchen Heinel
Gratitude to my family, JP, Jerry Marotta, Jason Webley, D. James Goodwin, Bella Blasko, Jim Bertini, Eli Walker, Chris St. Hilaire, Gretchen Heinel, Jeff Johnson, Jordan Tetewsky, and Spirit House
supported by 5 fans who also own “Gemini II (Deluxe Edition)”
One of the most gorgeous, moving albums. What sets it apart, besides the melodies and the meticulous musicianship is Marissa's trenchant lyrics. Each track is a short story, or poem, if you like, a slice of life, and experience. You can't ask for more from music. Highest recommendation! Eric Van Lustbader
supported by 4 fans who also own “Gemini II (Deluxe Edition)”
Like reading the diary of a loved one who passed before their time. Memory for memories I've never had. A further evolution of Anna Burch's style from Quit the Curse, but no less timeless for it. This album shifts away from the more experimental/instrumental styles of Quit the Curse, and in its place more massively emphasizes Anna Burch's divine song-writing. Aske Brown